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Ian Taylor sees and makes connections between found, often abandoned objects and events. With characteristic wry humour his works shape shift between sign, image and symbol, creating unique and intriguing statements, often about the absurdity of simply b
My paintings are emotionally charged and form a kind of narrative. I guess you could call them emotional landscapes. They are made up of nostalgia and memory and nature absorbed, and a deep routed yearning for other worlds or the worlds that exist within
Intense snapshots of moments in time and place create visual poetry in this painting by one of Wales’ foremost artists Sara Philpott. Seeing the fantastical within everyday objects and landscapes, creating magical narratives, she is the choice of many w
I use landscape and the boat as a metaphor for feelings of insecurity and helplessness. Whilst on a boat you are aware of its size and mass, and it still seems to me amazing that something so huge and heavy floats at all.
I want the paintings to be intriguing, tantalising and ambiguous held between the plastic qualities of the paint and all the celebratory magical illusions and evocations of the depiction of nature.
Ian Taylor sees and makes connections between found, often abandoned objects and events. With characteristic wry humour his works shape shift between sign, image and symbol, creating unique and intriguing statements, often about the absurdity of simply b
My paintings are emotionally charged and form a kind of narrative. I guess you could call them emotional landscapes. They are made up of nostalgia and memory and nature absorbed, and a deep routed yearning for other worlds or the worlds that exist within
Intense snapshots of moments in time and place create visual poetry in this painting by one of Wales’ foremost artists Sara Philpott. Seeing the fantastical within everyday objects and landscapes, creating magical narratives, she is the choice of many w
I use landscape and the boat as a metaphor for feelings of insecurity and helplessness. Whilst on a boat you are aware of its size and mass, and it still seems to me amazing that something so huge and heavy floats at all.
I want the paintings to be intriguing, tantalising and ambiguous held between the plastic qualities of the paint and all the celebratory magical illusions and evocations of the depiction of nature.
Ian Taylor sees and makes connections between found, often abandoned objects and events. With characteristic wry humour his works shape shift between sign, image and symbol, creating unique and intriguing statements, often about the absurdity of simply b
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