Jen Altman

 

 

Found objects, which I sometimes incorporate, and elements of the environment (rocks, trees, landforms, walls, old boats and ruined buildings) are other starting points. Many of my projects explore a theme through a series of related pieces. I like to make pieces that fit into my hand, often combining them into mini-installations, although I also work on larger scales. I use various media, including modified forms of papier maché, wire, cardboard and textiles, although in the past few years, I have worked mostly with clay – the elements of earth and water transformed by fire. Several types of clay body are used for modelling and carving, and delicate forms are built from thin sheets of paper clay. Various surface treatments bring subtle colour and texture, enhanced by a range of firing methods that include sager firing, raku and smoke firing, and the occasional use of a wood-fired kiln, all bringing further chance into the work. I am currently exploring ways of creating collages or assemblages that combine my ceramic pieces with other materials.

My work is informed by Amerta movement practice, which encourages a spontaneous response to the environment in which one is working. I also take photographs, both as notation/documentation and as an art practice. I occasionally write poetry or prose as a response to events in my life or to places that move me.